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Photo: Melinda♥Josie

One of the all-time greats regarding Christmas music is the Vince Guaraldi Trio’s A Charlie Brown Christmas. Guaraldi heads the jazz trio as pianist and band leader as they delve into classic Christmas tunes such as “O Tannebaum,” “Christmas Time Is Here,” “The Christmas Song,” and of course the fan favorite “Linus and Lucy.”

The aforementioned “Linus and Lucy” is not actually a Christmas tune at all; rather it serves as the opening theme for the Peanuts television show. But who doesn’t love the playful piano part that meanders throughout the song, putting a smile on your face? Guaraldi, himself an accomplished jazz musician with a multitude of material released, blends just the right amount of jazz improvisation and lightheartedness into the songs. This results in an album that seems grown up, yet is featured in an all time favorite children’s television show.

A reminder that the music does in fact play throughout the Charlie Brown special is the backing children’s choir. The children’s voices are on display on songs such as “Hark! The Herald Angels Sing” and “Christmas Time Is Here [Vocal Version]”. These songs serve as a reminder of being a kid and having the excitement of Christmas in the air.

Often, a Christmas album containing songs that are geared towards children can come off as corny or intolerable for adult listening. With A Charlie Brown Christmas, this is surely not the case. Gone are the annoying Rudolph or Frosty the Snowman songs. Instead, a focus is place on the whole reason for Christmas in the first place.

Christmas began as a Christian holiday to celebrate the birth of Christ (hence the whole Christ-mas part). Often, this gets forgotten in the madness of buying gifts and decorating. Whether you are a Christian or not, one of the lessons from Christ was to care for others and treat them as you would want to be treated. This message can better our world. Remember to always help others, and hold them in high regard.

The no-frills holiday album A Charlie Brown Christmas can be listened to every year around the holidays, because every time it is played it sounds fresh and festive with a nice focus on the meaning of Christmas. While Christmas can be a hectic time, take a breather with this smooth and enjoyable album from the Vince Guaraldi Trio.

John

Movement. The seventh LP from the Akron duo The Black Keys embodies this word. Indeed, the band intended El Camino, with the cover sporting a picture of one of their old vans used in the early days, to serve as a collection of songs meant to be played fast and intense in a live setting. On this front, it’s mission accomplished. The set of tracks will most definitely get a live audience up and dancing. As you can see, it gets people outside motels to move as well.

The album contains a bit of everything from the band’s previous work. A return to the good ol’ rock n’ roll from their early stuff is here, from the upbeat opener “Lonely Boy,” to the straight forward fuzz-laced guitar present in “Stop Stop;” who doesn’t enjoy the remark, “This love was so strong it shoulda/ Been against the law?”  Remnants of Brothers also have a presence on the album, with tracks such as “Gold on the Ceiling” having the recognizable crunchy keyboard sounds throughout. Can you say “Howlin’ for You?” Out of the ordinary keyboards aside, this song is a genuine treasure on the album, with the opening vocals providing the listener with plenty to feel good about.

A perfect slow down on the album shines with “Little Black Submarines.” The track showcases Dan Auerbach’s gentle vocals and acoustic finger-picking at the beginning, building up to an electric guitar and drum meltdown. The song is inspiring and proves that this band is here to stay with any style of song writing they see fit. There’s been much talk that the Keys simply picked up the fans from the now dismantled The White Stripes. My first reaction is who cares? Both The White Stripes and The Black Keys were able to take a two piece band and kick ass. The fact remains that the Keys continue to explore their auditory boundaries all the while putting their simplistic hooks and lyrics into the music.

So what’s absent on this collection? A sense of focus eludes some of the songs. Now, I’m not expecting every song the band records to be an instant classic, but a few of the songs do drag (“Sister”). While the album is condensed compared to the previous release of Brothers, which works to its benefit, it’s as if the first half contains the best tracks, only to lose some steam for the remaining half (“Stop Stop” being an exception). It would have been nice to hear another old school rock or blues cover as well, but hey, you can’t blame a band for putting out a completely original album.

The final word is that the album has many danceable tracks that will find their way into the mainstream awareness of its devoted listeners. While it may falter in a few spots, there are also places that will move the listener. As I said, movement is what this album is all about.

 

John

I’ve been in a jazz mood today. I found this song by the Dizzy Gillespie Quintet. Check out Dizzy’s cheeks when he plays! Ridiculous! I like the trade off between Dizzy and the flute player, pretty awesome. Enjoy.

 

John

In today’s music sphere, there’s no one quite like TV on the Radio. Constantly pushing the boundaries of electronic infused rock, this band shows just how distinctive their sound can be with the release of their fifth album Nine Types of Light. It’s tough to place a time on this most recent work. What I mean by this is the album could very well be sent from the future; however certain aural details take a page from past artists. Think Radiohead meets Funkadelic sometime in the future, or is it the past? Either way, this record contains some material that is sure to fascinate the dedicated listener.

The interestingly named “Second Song” kicks off the album in grandiose fashion. The vocals start off slow with a humming organ sound illuminating the background. Illumination is indeed the subject matter of the entire album, as if the band is proclaiming their gratefulness for the source of all life: the sun. Once the song reaches the 1:26 minute mark, your feet are bound to be tapping. The “Oou oou oou” falsetto singing from lead vocalist Tunde Adebimpe matches the thumping rhythm of the drums and bass in a way that sends the song into that perfect over-the-edge emotion present in many of the band’s songs.

The next celebrated stop on the search for the nine types of light is the delicate track “Killer Crane.” Descriptors are tough to place for this song; I imagine the band was trying to capture the beauty of flight of a majestic bird such as a crane. The idea of sunshine suffuses the song (go figure), giving it almost a beginning-of-time feel with the addition of the backing piano and synth noises radiating throughout. This track is sure to evoke a peaceful feeling inside, it is a must listen!

Lastly, I would like to point out the song “Caffeinated Consciousness.” This track serves as an exciting send off to a record full of sound exploration and experimentation. To title a song with “caffeinated” in the moniker is clever in today’s society full of short attention spans and instant gratification. As a society, we have grown so accustomed to Tweets, texts messages, and all other means of instant short communication. I’m not sure if that’s what the band was shooting for with this title, but I’d like to think so. That’s the beauty of music; it can have so many different meanings and interpretations to numerous people (title included), what one person finds special about the song can be entirely different from how another person thinks/feels and that is fine. Having noted that, the song’s chorus is what pushes it to another level. A sense of space travel shines through in the chorus, as if the whole record has been a journey as such. The accompanying video helps to make this point, as you can see if you so choose to watch it. I highly recommend viewing the video. The band decided to make a music video for each song and splice them together with interviews from people talking about dreams, love, and various other subject matters. The visuals really set off the entire production, adding to the overall entertainment of the music.

If the album lacks in any area, it would have to be its accessibility. To the casual listener, the album will probably come off as strange with so many weird lyrics and sounds. However, for the dedicated follower of music or of the band, the album is sure to win hearts. Exploration is seemingly what this band is all about, and I am eager to see where the future stops will take us on the journey.

John

 


 

I can’t get enough of this band. I stumbled upon this video while on vimeo, which is an awesome site for videos, by the way. The folks running the site take care to ensure that the videos being posted are high quality and are not nonsense. Anyway, this artsy-fartsy video shows the genius of Fleet Foxes in an impromptu performance. Enjoy!

John

Photo: dtron

 Upon hearing the first forty-five seconds of I’m With You, the latest release from Red Hot Chili Peppers, you may be tempted to think, “Who is this? Certainly not the Red Hot Chili Peppers?” After the distortion laden intro passes, the chorus kicks in with the familiar drumming of Chad Smith and the funky bass work of Flea. As lead vocalist Anthony Kiedis begins singing you realize, “Ah ha, this is in fact the band that has produced some of the most known and influential rock music of the past twenty years.” I’m With You contains the sound of a band that is redefining itself with a new guitarist in Josh Klinghoffer.

Time will tell how this album stacks up with the band’s past exemplary work such as Californication and Blood Sugar Sex Magik. The departure of lead guitarist John Frusciante will have people arguing over whether this album can be compared with past work. We have a natural tendency to immediately want to compare how we feel about an artist’s new work in comparison to their previous offerings. The bottom line is that a band’s sound may change based on lineup changes or myriad other different reasons. As fans of music, we can either choose to accept the new direction of a band or not. Having mentioned that, I think there are some real gems on this album that can be listened to many times over.

 The album’s opener, “Monarchy of Roses” is interesting. As mentioned, it certainly doesn’t sound like a familiar Chili Pepper’s song at first, but once the chorus kicks in your optimistic feelings for the band should be restored. “Brendan’s Death Song” is the next tune of mention. While it certainly doesn’t have a feel good title, the song is clearly a goodbye to a loved one, and carries a message of life being full of lose and moving on. The acoustic beginning to the track lends a delicacy to the song that acts as a welcome mat for the subject matter to follow. “The Adventures of Rain Dance Maggie,” chosen as the album’s first single, is sure to please. The funky bass playing of Flea really shines here and carries the song, in my opinion. Now who exactly is Rain Dance Maggie? That is a good question, but hey, Chili Pepper songs always have a bit of strangeness to the lyrics right?

For those of you being Frusciante fans, you may be frustrated that his oh-so-familiar guitar playing is absent. I would like to offer a suggestion to assuage your negative feelings of him being gone. The track “Did I Let You Know” contains a solo at the 2:28 mark that is face melting. Being a fellow guitarist, I would like to know what pedal Klinghoffer is using, because it is amazing! Lastly, I would like to bring attention to the song “Even You Brutus?” The track features Kiedis’ vocals being shouted as if he is on top of the Hollywood Hills proclaiming his reign over the city of L.A. It really is a cool sound, and the backing instrumentation including a piano is a nice addition. Speaking of writing songs about California, the album is almost completely devoid of this topic, which is shocking! Notice I said ‘almost,’ the band couldn’t help but give a shout out to L.A. in “Happiness Loves Company.”

While the die-hard Chili Pepper fans may have mixed emotions about this album, I think there are some good tracks present that fans will find themselves grooving to. One aspect of the album I wish was different is the running time. At nearly an hour long, the album might have benefited from trimming a few songs. Besides that the Rick Rubin produced record is, well, as usual a very stellar production. Give it a listen and a chance, you just might like it!

John

Autumn Leaves

Photo: Ian Shane

  

As I look out my window on this cold, dreary, autumn day, I decided to find some awesome photos on flikr.com of something more pretty. I found this brilliant photo. I like how the trees are so symmetrical and burning red! This is one reason to love the outdoors…

John

Photo: Ella Mullins

 With the release of his fourth full-length LP, Kiss Each Other Clean, singer-songwriter Samuel Beam, better known as Iron & Wine, offers a record that expands on the musical ideas explored on his previous release, The Shepherd’s Dog. The album is a departure from Beam’s earliest folksy work, with more intricacies such as vocal harmonies, saxophone accompaniment, and unique synth sound effects. The album is very accessible, which was one of the goals for Beam. He stated in an October 2010 edition of SPIN magazine, “It sounds like the music people heard in their parent’s car growing up… that early-to-mid-’70s FM, radio-friendly music (Goodman).” Indeed, the album has a cohesiveness to it that falters only in a few spots.

The first song that stands out on the collection is the slow groove “Me And Lazarus.” The song begins with a slow, radiating bass line that builds up to soaring lyrical harmonies. Lazarus, a figure from the Bible, is the subject of the song. Beam explains the idea as Lazarus coming back to life and not having anywhere to go. He elaborates, “That song was born out of a lot of my friends who were ready to leave America, almost like the ’60s jump to Canada, when shit wasn’t going so great. I reacted, ‘Where else would you go?’ Life is similar everywhere you go (Goodman).” I think that Beam has a good point with this message. Luckily, I have had the opportunity to meet people from different countries. I realize that many of the aspects of life I value are the same as folks from these other places. Sure, many places in the world are easier to live and be prosperous and happy, but I have found that the core of life for people from many places is the same. This lyrical content is one aspect of the album that shines. Two other features of note on the album are its instrumentation and vocal harmonies.

The instrumentation and harmonies on songs such as “Big Burned Hand,” “Tree By The River,” and “Glad Man Singing” keep things interesting and easy to listen to. “Big Burned Hand” is a fantastic song which has a funky brass section and bass line that carry the song. The harmonies present in “Glad Man Singing” lend gentleness to the song all the while showcasing the talent of Beam and his accompanying band.

If I could fault the album for one aspect, it would be a certain amount of strangeness and repetitiveness in a couple of the songs. The opener “Walking Far From Home” starts out with distorted vocals describing what a man experiences while he is traveling. The song gets a bit boring as each and every line begins with, “I saw (insert scenario).” This repetitiveness shows up again in the album’s closer, “Your Fake Name Is Good Enough For Me.” It’s as if Beam is trying to drive home points that don’t hold much weight, at least in my opinion. While the opening and closing songs are impaired by this, luckily the songs in between are not. For die-hard fans of folk inspired music, this album may not resonate as much due to the many sounds and instrumentation not present in pure folk. However, for the casual fan of music, much will be enjoyed on this album.

John

Sustainability, Part 1

Photo: epSos.de

Hello all! I would like to spend some time today discussing a topic I feel strongly about: sustainability. The basis of sustainability is thinking about our actions that impact the environment today so that future generations may enjoy the same level of comfort we do, in terms of a healthy environment. You may be thinking that sustainability has become a hot political issue in the U.S. The purpose of this post is not to start a politically charged conversation with finger pointing. If I have learned anything about politics is that both dominant U.S. political parties lie about many things and it is up to you to decide what you want to believe about how our country is being run. The purpose of this post is to raise some simple points about the oh-so-popular topic of sustainability or “going green.” I won’t be able to even scratch the surface in terms of green topics I want to cover, but this post will serve as a starting point.

Going green today has become a bit of a fad, which is both a good and bad thing. It’s great that the idea of going green has been catching on as more people are becoming concerned about how we are treating the environment. However, certain aspects of going green have become a bit of a farce. For example, some companies like to slap a label of “green certified” or “eco-friendly” on their products. When these labels are valid about the companies’ products, then it makes sense to have the labels present. This means that some aspect of the product’s life has been changed such as the way it was manufactured or transported in order to have an easier impact on the environment.

The other side of the coin is that many products do not deserve to have a “green” label on them. Take for example, Aquafina’s “Eco-Fina” bottles. The PepsiCo owned company says the bottles use 50% less plastic in their production (earth911.com). This is awesome, one of the basic ideas of sustainability is to use less (the reduce idea, we will get to this in a minute). The catch is that the whole bottled water idea is flawed, in terms of being a green business. Plastic water bottles are made from oil. As we all know, we get upset when the price of oil goes up. Not only do we use oil to fuel a large portion of our transportation, we use it for other purposes, such as making synthetic materials, one of them being plastic. An article written by the Union of Concerned Scientists offers some figures on the production of bottled water. The article estimates that 1.5 billion barrels of oil are used to produce plastic bottles yearly. To give you an idea of how much that is, around 100,000 cars could be fueled for a year off of that amount. Not only is that quite a large amount of a resource to devote to an unnecessary industry, the article also goes on to mention that the EPA’s standards for tap water are often more stringent that the FDA’s standards for bottled water (treehugger.com). All I am saying is that simple consuming habits such as purchasing bottled water may not be beneficial for either your health or the planet’s health. Simply think about which products may or may not be green and do a little research for yourself.

Speaking of having an environmental mind for consuming habits at the store, I’d like to bring up a side story. The other day, I was at the grocery store. As I was in the checkout line, I handed my reusable canvas bags to the bagger. This goes along with the whole idea of trying to use less plastic, especially plastic grocery bags that are used for about one whole minute from the time it takes me to bring them to my car and then unload them on the other end when I get home. Anyway, I had purchased a gallon of milk. The bagger asked me if I wanted the milk put in a plastic bag and then put in my canvas bag. Two thoughts occurred to me as I said no. First, if a gallon of milk has a handle built in, why do I need a plastic bag to pick up the milk? Secondly, I don’t think I’m too worried about whatever may come into contact with the milk jug contamination-wise considering the jug is made out of plastic itself. This is just something I think is silly. Why use a plastic bag to put an object like a milk jug in? It just seems wasteful to me. You may be thinking, how much oil would we really save if we didn’t use plastic bags? I don’t honestly know, but I would like to find out. A basis of sustainability is that simple actions add up to a larger picture. Do you go to a sporting event thinking to yourself, I’m not going to cheer when my team scores because my own personal shouting could not possibly make a difference? For any loyal fan, of course this is not the way you think. You want to make as much noise as possible for your team because you know that when added up, the whole of the crowd will make a large difference. This same approach applies to sustainability.

I’d like to end this post with a great book suggestion. As I mentioned, I have not even come close to what I want to cover about sustainability in this post, more is sure to come. A great book to learn more from is a book titled Ed Begley Jr.’s Guide to Sustainable Living: Learning to Conserve Resources and Manage an Eco-Conscious Life. Ed Begley Jr. is an actor living in California who has practiced sustainable habits since the 1970’s. I received this book as a gift this past spring (thanks Mom!) and have taken away many useful tips from it. One whole section of the book is devoted to what I tried to get across in this post: the idea of using less. Using less, whether by conserving energy or by buying fewer unnecessary products, can help save you money as well as lessen your impact on the environment.

In closing, I’d like to reiterate the idea of simply thinking about you daily habits and actions and how they may impact the environment. With a world population approaching seven billion, how could it hurt to think about consuming habits and how we will sustain ourselves in the future on this earth?

John

Photo: Thom's

 Today, I want to talk about listening to music on vinyl records vs. mp3s. Quite recently, I purchased my first Beatles vinyl and am excited to be able to enjoy it! The record I bought was Revolver, the seminal 1965 release from the world’s most exciting act. The album plays as if it could have been released yesterday, with both the sound quality and compositions being timeless. Writing about why The Beatles were the best rock n’ roll band has been done extensively enough through the years, that’s not what this post is about; rather I would like to just mention the fact that vinyl records still sound as good, if not better than their compact disc or mp3 counterparts (just a side note: if your music has been released across every type of musical format through the years, that says something about how relevant your music truly is.)

So, why bother with buying used vinyl records when you can simply download your favorite songs off iTunes? There are several reasons for buying records over mp3 downloads. Sound quality aside, we will get to that in a minute. The first reason I enjoy buying records is the fact that it is a treasure hunt. Because the records are often from another time, unless of course it is a brand new pressing, they can be found almost anywhere. You name it and records are bound to be there: garage sales, flea markets, retail stores, and record exchanges. Half the fun of buying a record is that you never know what you will find from one of your favorite artists. I realize that only some modern artists choose to release their work on vinyl. In terms of the treasure hunt aspect, I am speaking of finding music from artists who did most of their work from the 60s onward. Sure, you can find new pressings of your favorite modern artists, but it is not much of a treasure hunt when you go to say, Best Buy, and they have the record you want on the shelf. Next I want to talk about the friendship and community aspect of obtaining records. 

One of the ideas of music is that it can bring together people who may never have spoken to one another or gotten along. This is one of the many reasons I love music because if it can bring people together to share a common joy, how can that be a bad thing? While mp3s are great and can be played on virtually any electronic device, the idea of scrolling though a friend’s mp3 collection on a computer or mp3 player doesn’t quite resonate the same way as sifting through the same friend’s record collection. This may be an old school idea, but I like to think that certain aspects from the past should be continued today. In other words, vinyl records can be picked up, looked at, and discussed among new or old friends in a way that mp3s can’t. There is a more human aspect to the format, whereas mp3 sharing is simply clicking or scrolling through songs on devices that separate the human side out of the music sharing equation. This leads me to my next point: the physical act of putting a record on.

The fact that you have to get up, select a record, place it on the turntable, and put the needle on the record is cool, at least in my mind. It means that you really want to hear this music, as it requires a physical act to get it to play. Don’t get me wrong, I’m not saying that mp3s aren’t convenient and awesome in terms of their ease of use and tradability. What I am saying is that simply clicking to hear a song is not as physically demanding as putting a record on is. You may think I’m driving this point into the ground, but I think overall as a society we have grown very dependent on technology to take care of everything for us. In other words, we tend to get lazy as technology simplifies our lives. Moving on, records force you to listen to the entire album from start to finish.

One facet of mp3s that I’ve always disliked is the fact that they allow you to select only certain songs from an album. If you want only the two or three big hits from an album, you can download only those two or three songs and nothing else. While this is great from an ease of use standpoint, I believe that you should give at least one listen to the entire album from start to finish. The reason for this is simply, if you like the big hits from your favorite artists, chances are you will like many of their other songs that may not be as mainstream, but are still amazing! I’ve discovered so many songs this way and people often ask me questions such as: “What song is this?” or “What artist is this, I’ve never heard this song before?” The fact of the matter is that I have often listened to entire albums of artists you may love. Some of the songs from the albums people may never hear because they haven’t been played on the radio, put into music videos, etc. The bottom line is that you should give your favorite artists more of a chance when it comes to listening to their entire work. If you already do this, kudos to you!

Finally, we have come to the first point I mentioned about records: their sound quality. This point is debatable (more so than the other points, you might be thinking) as listeners and artists are on both sides of the issue. Legendary artist Neil Young has sounded off (no pun intended) on the debate about digital music and sound quality. Writer Marshall Kirkpatrick had a chance to ask Young exactly how he felt in an interview. Young quipped: “[When it first came out], digital music sounded like shit. It was no fun to listen to turned up. Instead of water poured on you it was like being attacked with ice picks (2008).” You may be thinking to yourself, “How can digital music sound worse than records that may be scratchy or altered?” This is a legitimate point I would like to address. It is true that some of the records I own are a bit scratched and consequently when played, the scratchy sound can be heard. However, I also own quite a few mp3s on my computer that sound distorted and irregular at times. This is due to the mp3s being shared and traded. The more mp3 files are traded, the more the files have to be copied. In this process, the overall sound quality of the files can diminish. Pantelis Vassilakis of  Iddblog.org sums up this process.

“Every sound-compression technique has two objectives:

a) to reduce a sound file’s data rate and therefore overall file size (for easier download and storage)

b) to accomplish (a) without noticeably degrading the perceived quality of the sound.

Sound-compression algorithms basically remove bits from a digital sound file and select the bits to be removed so that the information that will be lost will not be perceived by listeners as a noticeable loss in quality.”

In summary, because of the digital bits and bytes present in an mp3 file, this can degrade the overall sound of the files. Now we will take a look at why vinyl records tend to have a deeper, richer sound than mp3s. Howstuffworks.com gives an insight to this topic.

“A vinyl record is an analog recording, and CDs and DVDs are digital recordings…A digital recording takes snapshots of the analog signal at a certain rate (for CDs it is 44,100 times per second) and measures each snapshot with a certain accuracy. This means that, by definition, a digital recording is not capturing the complete sound wave. It is approximating it with a series of steps. Some sounds that have very quick transitions, such as a drum beat or a trumpet’s tone, will be distorted because they change too quickly for the sample rate. A vinyl record has a groove carved into it that mirrors the original sound’s waveform. This means that no information is lost (p. 1).”

To sum up what has been said, vinyl records are analog in format, which means that they have the original sound waves pressed onto the discs. Because of the digital format of mp3s, sound waves tend to become distorted. The point of this long winded discussion is simply to bring to light a technology (the vinyl record) that is just as high quality today as it was when it came out. If you get the chance, listen for yourself, you might be pleasantly surprised!

John

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